"I think it comes from deep within Thornton Wilder's heart and spirit. It brings to mind conversations I've had recently with so many people about the play; people who were in the play, people who saw the play, people who directed the play. But two actors in particular ... in their wonderfully mature years, have said to me that they never fully comprehended Emily's words until now, in their 70s and in their 80s. The play has brought them to tears in ways that didn't when they were 20 or 40 or 60 years younger... It's something I've certainly taken to heart since I've had the privilege of working on this biography. That is, as Emily says, every, every day matters, every moment. And Thornton was so concerned about expressing in his work and in his own life just the value of every moment of the most ordinary part of the most ordinary day. The idea that Tuesday can be a particularly ordinary day ... that on that day or any other day of life at any moment, we simply need to experience, to treasure those things; to look at the now and look at each other — really look at each other. How wonderful that Thornton and Emily remind us of those opportunities."
Wilder offers a couple of chairs on a bare stage as the backdrop for an exploration of the universal human experience. The simple story of a love affair is constantly rediscovered because it asks timeless questions about the meaning of love, life and death. In the final moments of the play, the recently deceased Emily is granted the opportunity to revisit one day in her life, only to discover that she never fully appreciated all she possessed until she lost it. “Oh, earth, you’re too wonderful for anybody to realize you,” she says as she takes her place among the dead.
Wilder was dissatisfied with the theatre of his time: "I felt that something had gone wrong....I began to feel that the theatre was not only inadequate, it was evasive."  His response was to use a metatheatrical style. Our Town 's narrator, the Stage Manager , is completely aware of his relationship with the audience, leaving him free to break the fourth wall and address them directly. According to the script, the play is to be performed with little scenery , no set and minimal props . The characters mime the objects with which they interact. Their surroundings are created only with chairs, tables, staircases, and ladders. For example, the scene in which Emily helps George with his evening homework , conversing through upstairs windows, is performed with the two actors standing atop separate ladders to represent their neighboring houses. Wilder once said: "Our claim, our hope, our despair are in the mind—not in things, not in 'scenery.' "